Post by Horn of Praise on Nov 7, 2003 20:58:20 GMT -5
This past summer I experienced two things: I got acclimated to the freeblowing feel of my Eclipse horn, and I underwent a successful embouchure change with the Caruso Principles. So...what does this have to do with solder blobs?
Well, as the summer progressed my Getzen seemed more and more stuffy. My air delivery was getting better and the horn wasn't able to take it as easily. So, upon the recommendation of several people, I took the Getzen to Melk's in Milwaukee to get it checked out. Charlie Melk told me that Getzen's usually don't have much solder on the inside to restrict airflow, but I had it checked anyway.
Well, Charlie removed solder from three separate locations inside the horn, one of which was the main tuning slide. I also had him check the mouthpiece gap. The factory setting was ".090 (standard for Bach mouthpieces). The horn was reset to ".110 (standard for GR mouthpieces).
Well, the removal of the excess solder and the ".020 increase in the mouthpiece gap noticeably increased the airflow and quite dramatically increased the response. It was a $35.00 well spent. More than fair.
I brought this up because I have read numerous posts, in the last three years, from many people who have gone on mouthpiece safaris or traded horns because of "stuffiness" issues. Before you spend a lot of money, spend a little and satisfy your curiousity. I'm glad I did.
Also, I'm considering having Charlie make me a single radius tuning slide, for the Getzen, to open it up just a little more. The price I was quoted was quite reasonable.
As always, I hope this helps. Most production horns could probably use a little "tweaking".
All the best.
Well, as the summer progressed my Getzen seemed more and more stuffy. My air delivery was getting better and the horn wasn't able to take it as easily. So, upon the recommendation of several people, I took the Getzen to Melk's in Milwaukee to get it checked out. Charlie Melk told me that Getzen's usually don't have much solder on the inside to restrict airflow, but I had it checked anyway.
Well, Charlie removed solder from three separate locations inside the horn, one of which was the main tuning slide. I also had him check the mouthpiece gap. The factory setting was ".090 (standard for Bach mouthpieces). The horn was reset to ".110 (standard for GR mouthpieces).
Well, the removal of the excess solder and the ".020 increase in the mouthpiece gap noticeably increased the airflow and quite dramatically increased the response. It was a $35.00 well spent. More than fair.
I brought this up because I have read numerous posts, in the last three years, from many people who have gone on mouthpiece safaris or traded horns because of "stuffiness" issues. Before you spend a lot of money, spend a little and satisfy your curiousity. I'm glad I did.
Also, I'm considering having Charlie make me a single radius tuning slide, for the Getzen, to open it up just a little more. The price I was quoted was quite reasonable.
As always, I hope this helps. Most production horns could probably use a little "tweaking".
All the best.